Fine Print: Roy Lichtenstein. New York City, 1992 Cornell Capa Fine Prints ‘May I open the blinds

‘May I open the blinds

producing reportage all over the world

Patrick Zachmann is a master of teasing out color in the subterranean and the after-dark

American trumpet player Miles Davis at the Salle Pleyel concert hall for the Miles Davis Quintet

The intimate setting hints at a private moment of regret—spoken not aloud

Fine Print: Roy Lichtenstein. New York City, 1992 Cornell Capa Fine Prints ‘May I open the blindsHoepker made his first of many visits to Roy Lichtensteins studio in the early 1980s while working on a series about American pop artists and naturally, Lichtenstein was on his hit list. During one visit, Hoepker became intrigued by one picture in particular. It showed nothing but the back of a yellow painted stretcher with the canvas stretched and dabbed with black and white grid dots the picture of a picture, but only on the back, says Hoepker. I